ONE STORY · FOUR ALBUMS · SUNG IN LATIN
A queen starts a war because a man left her. Trance, techno and symphony, in a dead language.
THE STORY
“I’m singing a queen who starts a war because a man left her, and ends wanting children dead.”
— KAT
Black Swarm doesn’t do interviews. There is a catalogue — five albums of instrumental electronic work, then a run of English songs, then four albums of something that should not exist: a full electronic opera, written in Latin, built on trance, techno and symphony.
FROM REGINA · WINTER CAME
Hiems venit.
Non flevit.
THE WINTER CAME. SHE DID NOT WEEP.
Every Latin line, side by side with the English. Read along while you listen.
BEYOND THE OPERA
The English record — the closest Black Swarm has come to Depeche Mode’s Violator and Songs of Faith and Devotion.
The first record with Kat — Hate Me, Lazarus Man, Drown Me Out, and Thunderstruck to close.
Back in the Dirt, Velvet, Dark Run and Salem’s Spell. Dark electronic and melodic techno.
Five instrumental albums, 2023–2025 — Jarre, Tangerine Dream, melodic techno, progressive trance. Includes the 42-minute Prodigy of Anunnaki.
KAT SPEAKS
KAT · IN HER WORDS
Hip-hop, Latin, faith, and a producer who never comes out.
KAT · IN HER WORDS
Becoming Regina, crying through the anthem, and why Lux is too happy to release.
LISTEN EVERYWHERE
New acts, live dates and the occasional unreleased file. No spam.
